
Phil Goddard (Nicholas Eadie) has been called up and is being trained for the war in Indo China. Meanwhile, the politicians are still pretending there are no American troops in Vietnam and that Australian conscripts will not become front line troops. The sequence concludes with an announcement of the first marines being sent into Vietnam. An Australian battalion will not be far behind. Summary by Janet Bell.
This sequence is typical of the devastatingly effective mix of drama, archival footage and of dramatic recreations from Hansard and memoirs of the era, to create a moment of real political tension in the history of Australia’s role in the war in Vietnam.
This epic story of Australia’s involvement in the Vietnam War is told through the history of a middle class family, the Goddards, whose son Phillip (Nicholas Eadie) is conscripted to fight in the war and whose father, Douglas (Barry Otto), is one of the key Canberra bureaucrats responsible for the policy of Australia’s involvement in the war.
Phillip has a schoolgirl younger sister, Megan (Nicole Kidman) – already on the pill and opposed to the war in Indo China – and a housewife mother, Evelyn (Victoria Lang), who is just starting to stand up to her authoritarian and patronising husband. The family is driven apart by the war in Vietnam, the sexual revolution and the growing independence of women in Australian society. When Phillip becomes alienated from his family as a result of his experiences as a soldier in Vietnam, the family never loses the courage to keep love alive, using their new found insights to begin to know each other as they never have before.
Vietnam makes evocative use of archival footage from the era to establish the verisimilitude of the mid 1960s. It’s a backdrop of Beatlemania, flower power and a growing horror as the nightly news presents the carnage of the war in Vietnam. The directors even go so far as to inject Megan (Nicole Kidman) and her mother Evelyn (Veronica Lang) into archival news footage from the early 1970s as they join hands with hundreds of thousands of others who are opposed to the war in Vietnam.
The late 1960s in Australia was a time of great social and political upheaval. Since the end of the Second World War, Australia had had full employment. A whole generation of young people who had experienced the possibility of a university education, were now experimenting with sexual freedoms, new forms of music and political views that would bring them into sharp conflict with their parents’ generation. One of the issues that polarised Australian society was the Vietnam war and the use of conscription to call up young men whose birth date was drawn out of a barrel, like winning a lottery, except that for them it was to go to war.
Notes by Janet Bell
This clip shows a group of soldiers behind a burning car. It then cuts to a re-enactment of Australia’s prime minister in 1965, Sir Robert Menzies (Noel Ferrier), announcing to Parliament that Australia would be committing a battalion to support the USA in the war in South Vietnam. As he speaks, the scene cuts to young Australian soldiers watching their military instructor (Tim Robertson) give the command for a Claymore antipersonnel mine to be blown up. The explosion shreds the targets and smoke surrounds the wreckage. The instructor explains the different types of antipersonnel mines adapted and used by the Vietcong. The clip ends with a demonstration of a pressure–release detonator mine – ‘click, bang, dead’.
Education notes provided by The Learning Federation and Education Services Australia
A group of soldiers are visible behind a burning car.
Prime Minister Menzies is speaking in Parliament.
Menzies Mr Speaker, I have received a message from the president of the United States of America in these terms: ‘I am delighted by Australia’s decision to provide an infantry battalion at the request of the government of South Vietnam.’
As Menzies speaks, we see a group of young Australian soldiers standing before a set of targets.
Menzies ‘I am confident our two nations, working together, can continue to make great contributions to checking the spread of aggression.’
The troop commander gives a silent order and a soldier triggers the detonation of a Claymore anti-personnel mine. The explosion shreds the targets and smoke surrounds the wreckage.
Later, the instructor addresses the recruits, seated outside on wooden benches.
Military instructor Eight hundred Australian soldiers are on their way to Vietnam. Some of them won’t be coming back. Any of you lot could end up there too. A very effective way to extend your stay is to encounter an anti personnel mine. That was a Claymore, one of ours. But like all of our weapons, the Viet Cong got a hold of them too.
He holds one up to show its features.
Military instructor It consists of hundreds of ball bearings. When the charge is detonated, it hurls them out in an arc. Very effective against groups. A standard anti-personnel pressure mine. You step on this plate, and bang. Not a very big bang. And that is the beauty of it. If it killed you, we just have to bury you. But it only blows your foot away. So it takes two men to carry you out, a chopper to evacuate you, hospital space, medical personnel, rehabilitation – much more trouble. A beautiful concept.
He holds it up lovingly, then hands it to an offsider who hands him a grenade.
Military instructor Now, the Viet Cong aren’t well supplied. But necessity is the mother of invention. They need weapons, so they improvise. A grenade. Attach a tripwire, and you’ve got a boobytrap.
He holds the grenade and pulls the tripwire before handing it to his offsider and accepting a mortar bomb in its stead.
Military instructor An American mortar bomb. Didn’t explode. The VC grab it and replace its detonator with this – a little invention they churn out in their village workshops. Pressure-release detonator.
He screws the detonator onto the bomb.
Military instructor Which transforms this bomb into an anti-personnel mine with a very big bang indeed. ‘Pressure release’ because it doesn’t detonate when you step on it – that just arms it. It explodes when you step off (clicking the detonator on and off to demonstrate). So, if you’re walking along and you hear this – click – don’t step off. Click. Bang. Dead.
The clip ends with close-ups on the faces of listening recruits.
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